Description: Shipping: All items will be packed safely in a sturdy package for safe shipping.We ship internationally and offer combined shipping for multiple purchases. Expedited, Priority Mail and FedEx shipping available Once payment is received, we ship your item on the next business day.INTERNATIONAL BUYERS: Pls check the shipping tab. Ebay does not display cheapest shipping on top of the listing. Over 1000 Records available. If you plan to buy several records: Click the "ADD TO CART" button. Once you have selected all the records you want, go to Cart and check out. COMBINED SHIPPING will be applied automatically. If shipping seems high: In Cart click REQUEST TOTAL, and I will send you an invoice. A series of great early Opera performances: From 1902 G&Ts to 40s wartime German records: From the great imported Milan recordings: And Bargain basement 1$ the 1905 imported recordings with the great Giuseppina Huguet. Though - not produced in US, no celebrity singers - these lowly black labels include some of the great Milan La Scala singers, and the higher fidelity and immediate G&T acoustics of these recordings make them rival some of the expensive ones Giuseppina HUGUET with Gaetano Pini-Corsi and Ernesto Badini w La Scala Chorus under Carlo Sabajno/ in the dramatic Finale to Act II Traviata Alfredo, di questo core Josephina Huguet (vocalist: soprano vocal) Gaetano Pini-Corsi (vocalist: tenor vocal) Ernesto Badini (vocalist: baritone vocal) Teatro alla Scala Coro (Vocal group) Teatro alla Scala Orchestra (Musical group) Share | Take Date and Place Take Status Label Name/Number Format Note 7/6/1907 (Milan, Italy) [1] Master Gramophone 054167 12" disc Great 5 line patent 12" 78 rpm record Condition: EXCELLENT close to pristine faint scuffs, plays very quiet faintest swish in all copies, A SUPERB COPY Giuseppina Huguet (1871–1951) was a Spanish operatic soprano with a lyrical voice who sang throughout Europe prior to World War I. Huguet was born in 1871 and registered on official documents as "Josefina" Huguet. Her first music teacher was Francisco Bonet in Barcelona, where she soon made her operatic debut as Lakmé at the Teatro Liceu of Barcelona. She subsequently toured several countries, including some South American nations. She performed, too, with success in Italy, appearing for the first time at Milan's La Scala in 1896, where she sang the role of Ophélie in Ambroise Thomas's Hamlet. Huguet proved popular in Russia as well. Although Huguet often sang coloratura parts, such as Rosina in Rossini's Il Barbiere di Siviglia, she also undertook the verismo roles of Mimì in Puccini's La Bohème and Cio-Cio-San in Puccini's Madama Butterfly, and her recordings even include excerpts from Wagner's Lohengrin (on which she is accompanied by the famous tenor Fernando De Lucia). Indeed, her complete repertoire contained a wide range of roles: from The Queen of Night in Mozart's The Magic Flute to Nedda in Leoncavallo's Pagliacci. Huguet's career as a recording artist was not particularly extensive. Her discography consists mainly of arias and ensemble pieces from opera that were made by the forerunner of HMV. She also sung the role of Nedda in the first complete recording of Pagliacci in 1907 (with the Orchestra and Chorus of the Teatro alla Scala di Milano, Carlo Sabajno conducting). Volume One of The Record of Singing by Michael Scott (Duckworth, London, 1977) contains a synopsis of her career and an appraisal of her records, some of which are available on CD transfers. Salvador, Ines, Alt, * 1878 (?) Barcelona, † 1910 (?) London; über diese Künstlerin sind nur wenige, unvollständige biographische Daten bekannt. 1903 sang sie am Teatro Liceo Barcelona u.a. als Partnerin der berühmten Hariclea Darclée. In der Saison 1903-04 trat sie am Teatro Regio von Parma auf; hier sang sie die Preziosilla in Verdis »La forza del destino«, den Siebel in Gounods »Faust« und den Pagen Urbain in »Les Huguénots« von Meyerbeer. Man bewunderte neben der dunklen, ausdrucksstarken Tonfülle ihrer Stimme ihre schöne Bühnenerscheinung. Die Sängerin soll, wenig älter als dreißig Jahre, 1910 in London verstorben sein. Schallplatten: 1907-08 erschienen einige G & T-Aufnahmen, darunter in erster Linie Szenen aus »Carmen«, dann ein Duett aus »Lohengrin« mit dem Tenor Renzo Minolfi, ein Duett mit dem Tenor Emanuele Ischierdo, eine Ensembleszene aus Verdis »Ballo in maschera« und eine kurze Passage als Lola in einer Szene aus »Cavalleria rusticana«. Cigada, Francesco, Bariton, * 3.10.1878 Bergamo, å 6.8.1966 Caprino Bergamasco; er studierte in Mailand bei Vincenzo Sabatini und debntierte 1900 in Forli als Lescaut in +Manon Lescaut½ von Puccini. 1903 sang er in Rio de Janeiro, 1904 am Teatro Dal Verme in Mailand, seit 1905 gro¯e Erfolge am Teatro Costanzi in Rom, wo er als Mephisto in +La damnation de Faust½ debntierte und dann bis 1908 so unterschiedliche Partien wie den Alberich im +Rheingold½, den Jochanaan in +Salome½ von R. Strauss (1908) und den Athandl in +Thans½ von Massenet (mit Mattia Battistini in der Titelrolle!) nbernahm. 1913 trat er am Teatro Comunale Bologna als Telramund auf, bereits 1911 am Teatro Carlo Felice in Genua als Hans Sachs in den +Meistersingern½. Am 19.2.1914 sang er am Teatro Regio in Turin in der Urauffnhrung der Oper +Francesca da Rimini½ von Zandonai die Partie des Giovanni. 1914 gastierte er an der Covent Garden Oper London, wo er u.a. in den Premieren von Zandonais +Francesca da Rimini½ und Montemezzis +Amore dei tre Re½ mitwirkte. 1914 erschien er am ThTGtre des Champs-+lysTes in Paris zusammen mit dem Ensemble der Oper von Boston, obwohl er nie in den USA aufgetreten war. Bei diesem Gastspiel sang er den Manfredo in der franz÷sischen Erstauffnhrung von Montemezzis +Amore dei tre Re½ und den Lescaut in +Manon Lescaut½ von Puccini. Am Teatro Col=n Buenos Aires kreierte er in der Spielzeit 1919-20 Pizzettis +Fedra½ fnr Sndamerika und sang dort den Kurwenal im +Tristan½, den Amonasro in +Aida½ und den Hermann in Catalanis +Loreley½. 1918 wirkte er an der MailSnder Scala in der Urauffnhrung der Oper +La Nave½ von I. Montemezzi mit und sang hier auch den Amonasro sowie in der Urauffnhrungen der Opern +Ghismonda½ von Bianchi und +Urania½ von Farara (1918). 1921 gastierte er in Madrid als Wilhelm Tell in der Rossini-Oper gleichen Namens. Weitere Gastspiele in Barcelona, Rio de Janeiro, Santiago de Chile und Havanna. 1924 stand er letztmals in Bergamo (als Wilhelm Tell) auf der Bnhne. Nachdem er seine einzige Tochter im Alter von 21 Jahren verloren hatte, gab er seine Karriere auf und lebte zurnckgezogen in seiner Villa bei Bergamo. Die sch÷ne Baritonstimme des Knnstlers ist auf vielen Schallplatten der Marke G & T erhalten, die jedoch alle zu Beginn seiner Karriere in den Jahren 1905-08 entstanden, noch bevor diese ihren H÷hepunkt erreicht hatte. Diese G & T-Aufnahmen wurden teilweise in den USA unter dem Etikett von Victor ver÷ffentlicht, darunter findet sich eine vollstSndige Aufnahme des +Bajazzo½ (auf 21 Schellackplatten), die 1907 in Anwesenheit des Komponisten Leoncavallo hergestellt wurde. More Great Records on sale right now: CLICK ON THIS LINK TO SEE MORE GREAT RECORDS CLICK ON THIS LINK TO SEE ALL ITEMS - VINTAGE BOOKS, VICTROLA and TURNTABLE ITEMS, CDs, Books and DVDs http://shop.ebay.com/carsten_sf/m.html ==== A Quick NOTE ON GRADING AND SHIPPING: As you can see from my feedback, I try hard to earn your POSITIVE FEEDBACK and FIVE STAR RATINGS. If for any reason your transaction was NOT SATISFACTORY, pls contact me and I will work something out with you. YOU WILL NEVER HAVE A REASON TO GIVE ME A NEGATIVE RATING or a LOW STAR RATING. Quick note on grading: The Grade (Excellent to Poor, I don't give Mint) refers to the WEAR of the record. Any other defects are stated separately When I listen to a record, I may also give it an aural grade (again E to P), and make a SUBJECTIVE judgment of the pressing quality for hiss and surface noise."EXCEPTIONALLY QUIET" is close to noiseless, like a vinyl pressing."VERY QUIET" is an above average quiet record for a given pressing."Quiet" is a record that is a great example with some noise. These judgments are SUBJECTIVE and will depend one the styli, phonograph etc. you use on your own equipment. Multiple item shipping: I am happy to combine items for shipment in one parcel. Records will be packed safely between corrugated cardboard in a sturdy box with plenty of padding for safe shipment. Shipment is usually Media Mail, unless you request another service. Shipping is at your risk, I will be happy to insure items at your cost. I charge actual postage plus a small handling fee for packing materials As always, I guarantee your satisfaction. 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Price: 14.99 USD
Location: San Francisco, California
End Time: 2024-12-31T02:42:05.000Z
Shipping Cost: 7.49 USD
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Item Specifics
Restocking Fee: No
Return shipping will be paid by: Buyer
All returns accepted: Returns Accepted
Item must be returned within: 30 Days
Refund will be given as: Money Back
Artist: CLICK RIGHT ARROW > FOR CONDITION, Giuseppina Huguet, Josephina Huguet, Gaetano Pini-Corsi, Ernesto Badini, Teatro alla Scala
Format: Record
Release Title: Traviata Alfredo, di questo core
Material: Shellac
Type: Single
Genre: Classical, Opera, World Music
Record Label: RCA Victor
Record Size: 12"
Style: Aria, Ars Nova, Ballata, Cantata, Canzona, Chanson, Chorale, Christian, Elegy, Film Score/Soundtrack, Gregorian Chant, Laude, Lied, Lullaby, Madrigal, Mass, Motet, Music Hall, Musical/Original Cast, Oratorio, Radio Play/Show, Schlager, Serenade, Traditional/Vocal, Vocal, Anthem, Christmas, Opera, TV Score/Soundtrack
Speed: 78 RPM
Language: Italian
Sub-Genre: Opera
