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Architecture as Signs and Systems: For a Mannerist Time, Venturi & Brown, 1st Ed

Description: Fine/Like New copy appears to be unread boards show minimal shelf wear. Robert Venturi exploded onto the architectural scene in 1966 with a radical call to arms in Complexity and Contradiction. Further accolades and outrage ensued in 1972 when Venturi and Denise Scott Brown (along with Steven Izenour) analyzed the Las Vegas strip as an archetype in Learning from Las Vegas. Now, for the first time, these two observer-designer-theorists turn their iconoclastic vision onto their own remarkable partnership and the rule-breaking architecture it has informed. The views of Venturi and Scott Brown have influenced architects worldwide for nearly half a century. Pluralism and multiculturalism; symbolism and iconography; popular culture and the everyday landscape; generic building and electronic communication are among the many ideas they have championed. Here, they present both a fascinating retrospective of their life work and a definitive statement of its theoretical underpinnings.

Price: 47 USD

Location: Halcottsville, New York

End Time: 2024-11-30T21:21:46.000Z

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Architecture as Signs and Systems: For a Mannerist Time, Venturi & Brown, 1st EdArchitecture as Signs and Systems: For a Mannerist Time, Venturi & Brown, 1st EdArchitecture as Signs and Systems: For a Mannerist Time, Venturi & Brown, 1st EdArchitecture as Signs and Systems: For a Mannerist Time, Venturi & Brown, 1st Ed

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Return shipping will be paid by: Buyer

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Book Title: Architecture as Signs and Systems: For a Mannerist Time

Book Series: William E. Massey Sr. Lectures in American Studies

Narrative Type: Nonfiction

Publisher: Belknap Press

Original Language: English

Edition: First Edition

Publication Year: 2004

Format: Hardcover

Language: English

Era: 2000s

Author: Robert Venturi, Denise Scott Brown

Features: Dust Jacket, Illustrated

Genre: Art & Culture

Topic: Architecture, Art Theory, Cities, Communications, Iconography, Multiculturalism, Popular Culture, Post Modernism

Country/Region of Manufacture: United States

Number of Pages: 264 Pages

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