Film Language : A Semiotics of the Cinema

Description: A pioneer in the field, Christian Metz applies insights of structural linguistics to the language of film. "The semiology of film . . . can be held to date from the publication in 1964 of the famous essay by Christian Metz, 'Le cin ma: langue ou langage?'"--Geoffrey Nowell-Smith, Times Literary Supplement "Modern film theory begins with Metz."--Constance Penley, coeditor of Camera Obscura "Any consideration of semiology in relation to the particular field signifying practice of film passes inevitably through a reference to the work of Christian Metz. . . . The first book to be written in this field, Film Language] is important not merely because of this primacy but also because of the issues it raises . . . issues that have become crucial to the contemporary argument."--Stephen Heath, Screen This book titled "Film Language: A Semiotics of the Cinema" by Christian Metz is a valuable addition to any film enthusiast's collection. Published by University of Chicago Press in 1990, this trade paperback is a must-read for anyone interested in the history of cinema and the art of filmmaking. With 286 pages of insightful analysis, this textbook delves into the subject of film language and the meaning of cinema. The book measures 8 inches in length, 5.2 inches in width, and 1 inch in height, and weighs 11.1 ounces. It is written in English and includes topics such as film genre, art and culture, film/TV adaptation, history, imagery, and historical significance.

Price: 20 USD

Location: Chicago, Illinois

End Time: 2024-12-01T18:34:39.000Z

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