Description: Handwritten letter by Jim Wiggins to Gregorio Prestopino regarding an autographed photo request. On the lower left portion of the letter Prestopino writes "I have no pictures of myself here in N.H. Gregorio Prestopino" in black felt tip ink. Folding creases, otherwise, in good condition. (1907-1984) Gregorio Prestopino was an American artist. According to the art historian Irma B. Jaffe, he was "one of the major American painters who refused to reject the image, has devoted his career to depicting the human condition with a warmth tempered only by honesty." As a young man Prestopino set up his first studio in Harlem. During the 1930s his social realist paintings had an anecdotal quality in their description of everyday incidents of the working class, depicting the grit of city life – docks, laborers, vendors, Lower East Side streets. He moved to Roosevelt, New Jersey in 1949.By the mid-1940s and the 1950s he concentrated on large, solid images that were able to function as universals with heightened drama while preserving their qualities as specific expressionistic images. His more realistic studies are largely black and white and detail poor urban suffering. Exemplifying this style is the series of paintings done in 1957 for "Life" magazine in connection with an article on Green Haven, a New York state prison.[3][4] During this time Prestopino received high recognition along with Ben Shahn and Philip Evergood, well-known social realist painters. In the late 1950s Prestopino used Harlem as his subject. He created paintings that inspired the well-known American movie makers, John Hubley and Faith Elliot. During the filming they never took the camera off the paintings. The film, "Harlem Wednesday", with a jazz score by Benny Carter, won first prize at the First International Festival of Art Film in Venice.In 1954, he became a director of the MacDowell Colony, beginning a lifelong association that profoundly influenced his art. In the MacDowell Colony, he made friends with the painters Milton Avery, Sally Avery, Giorgio Cavllon, Linda Lindeberg, and many others who were among the Fellows of MacDowell Colony. In 1958 Prestopino's landscape paintings were showing abstract tendencies. There is a noticeable cubist influence in his work as well. Much of his more cubist work uses brightly contrasting colors and involves human forms. Wet, sensuous color areas appeared on his canvases. Mythological figures, woods, brooks, fields, islands, and mountains were joined on powerful canvases that showed Prestopino's new vitality. According to the celebrated photographer Russel Lynes "the sound of the city…gave way to the sounds of the country, the relentless of bricks and pavement and steel to the happy disorder of dappled things." This lot came from the Jim Wiggins collection we purchased in July 2022. Jim Wiggins accumulated the most unique and valuable autograph collection over a period of 70-plus years. He obtained his collection either in person or by writing to persons of fame and notoriety. Comes with a full Letter of Authenticity from Todd Mueller Authentics.
Price: 112.5 USD
Location: Colorado Springs, Colorado
End Time: 2024-12-04T17:11:27.000Z
Shipping Cost: 12 USD
Product Images
Item Specifics
Restocking Fee: No
Return shipping will be paid by: Buyer
All returns accepted: Returns Accepted
Item must be returned within: 14 Days
Refund will be given as: Money Back
Signed by: Gregorio Prestopino
Signed: Yes
Autograph Authentication: Yes
Original/Reproduction: Original
Country/Region of Manufacture: Unknown
