Description: Tracks:Travelin' LightCherokeeOver the RainbowManilaNever Too LateSomeone to Watch Over MeBlues WalkMy Funny ValentineUse MeDon't Explain Performer Notes: Personnel: Gabrielle Goodman (vocals, background vocals); Gabrielle Goodman; Michael Cain (piano); Anthony Cox (bass instrument, acoustic bass); Rub?n Rodr?guez (bass instrument, electric bass); Tony Bunn (electric double bass); Tony Bunn (electric bass); Mark Feldman (vocals, violin); Kevin Eubanks (guitar, acoustic guitar, electric guitar); Wolfgang Muthspiel (guitar, electric guitar); Gary Thomas (soprano saxophone, tenor saxophone); Barry Miles, David Bunn (piano, synthesizer); Mike Cain (piano); Buddy Williams (drums); Don Alias (congas, percussion).Recording information: Power Station Studios, New York, NY (02/1993); Power Station, New York, NY (02/1993).Photographer: Robert Lewis .Arrangers: David Bunn ; Barry Miles.Sounding like a combination of Sarah Vaughan and Chaka Khan seasoned with a dash of Roberta Flack, Gabrielle Goodman is joined by a motley crew of modern musicians, swoops, scats, and whoops through a playlist of standards and originals, one of them by Goodman herself. For the most part, it seems that the arrangements, including those of the standards, are "popularized." That is, they have been designed to be attractive to fans of contemporary popular music. One exception is the Gershwin Brothers' "Someone to Watch Over Me," where Goodman opens the verse with just Kevin Eubanks' subdued guitar (one of few subdued moments on this disc) behind her. Additional instrumentation, especially Gary Thomas' tenor, joins in for a very relaxed chorus. (Thomas and his saxophones are very prominent on this disc.) But on most of the cuts, Goodman's voice soars to the heavens. "Over the Rainbow" becomes a bop aria, and on "Travelin' Light," her voice becomes a horn, competing with Thomas' tenor for the dominating position on this tune. Goodman's rendition will not remind anyone of Judy Garland's. The Goodman composed "Manila" is a major production. The pulse is established by drummer Buddy Williams' back beat. Barry Miles' synthesizer weaves in and out with Goodman's voice as she overdubs the background vocals. Clifford Brown's "Blues Walk" flirts with the avant-garde, as Goodman sings wordless vocals, Thomas' serendipitous sax wailing with her. This tune, with Goodman and Thomas as a two-person ensemble, is one of the album's highlights. Once more she relies on the laid-back guitar of Eubanks in her thoughtful, emotional offering of "Don't Explain," another of the album's strong performances. Many will have to give this album more than a single play before fully appreciating it, but they will assuredly be drawn to Goodman's wide-ranging, unusual but haunting presentation of the music. Travelin' Light will be particularly appreciated by those who prize a singer willing to take some major risks. [Fortunately, the lyrics are reprinted in the liner notes.] ~ Dave Nathan Producer: Stefan Winter, Stefan Winter Format: CD (1 Disc); Stereo Country: (not USA) Studio/Live: Studio Guest Artist: Kevin Eubanks; Anthony Cox; Gary Thomas Release Date: 7 February, 2005 Label: Unbranded Dimensions: 12.9 x 14.8 x 1 centimeters (0.15 kg)
Price: 14.91 GBP
Location: Gloucester
End Time: 2025-01-13T07:00:52.000Z
Shipping Cost: 21.06 GBP
Product Images
Item Specifics
Return postage will be paid by: Buyer
Returns Accepted: Returns Accepted
After receiving the item, your buyer should cancel the purchase within: 60 days
Return policy details:
EAN: 0025091906321
UPC: 0025091906321
ISBN: N/A
MPN: N/A
Language: Eng
Track #1: Travelin' Light
Track #2: Cherokee
Track #3: Over the Rainbow
Track #4: Manila
Track #5: Never Too Late
Track #6: Someone to Watch Over Me
Track #7: Blues Walk
Track #8: My Funny Valentine
Track #9: Use Me
Track #10: Don't Explain
Era: 1990s
Run Time: 3029 Sec
Release Year: 2004
Format: CD
Features: Studio Recording
Genre: Jazz
Type: Album
Style: Post-Bop, Vocal, Standards
Record Label: Jmt / Winter & Winter
Artist: Gabrielle Goodman
Release Title: Travelin' Light