Di-Acro

Victor Vasarely, 'Astonishing', Plate Signed Lithograph

Description: Victor Vasarely, 'Astonishing', Plate Signed Lithograph Edition: 110/500 Size Sheet: Paper size 35 x 50 cm = 13.78” x 19.69” (inches) approximately Image size 28.5 x 28.3 cm = 11.22” x 11.14” (inches) approximately Technique: Offset Lithograph 36 Colours Type of paper: Arches France Infinity Stamp: S.P.A.D.E.M. Paris Material: Thick paper Followed in: 1990/2000 Editeur: S.P.A.D.E.M. Paris Signature: Plate-signed Free shipping worldwideIt sells as a copy - 'As is'No certificate of authenticity (COA)You will receive the item from the photos.The items are purchased from Germany, Austria, France, Switzerland, Netherlands, Belgium, Spain and the United Kingdom various dealers, auctions, sales, antique shops, markets, and art collectors.I accept return within 14 daysThe lithograph will be without a frameLITHOGRAPHY is a printing process that uses a flat stone or metal plate on which the image areas are worked using a greasy substance so that the ink will adhere to them by, while the non-image areas are made ink-repellent.A printing process based on the fact that grease and water do not mix. The image is applied to a grained surface (traditionally stone but now usually aluminium) using a greasy medium: such as a special greasy ink – called tusche, crayon, pencils, lacquer, or synthetic materials. Photochemical or transfer processes can also be used. A solution of gum arabic and nitric acid is then applied over the surface, producing water-receptive non-printing areas and grease-receptive image areas. The printing surface is kept wet so that a roller charged with oil-based ink can be rolled over the surface, and ink will only stick to the grease-receptive image area. Paper is then placed against the surface, and the plate is run through a press.Lithography was invented in the late eighteenth century, initially using Bavarian limestone as the printing surface. Its invention made it possible to print a much wider range of marks and areas of tone than possible with earlier printmaking relief intaglio methods. It also made colour printing easier: areas of different colours can be applied to separate stones and overprinted onto the same sheet.Offset lithography involves printing the image onto an intermediate surface before the final sheet. The process is ‘offset’ because the plate does not come in direct contact with the paper, which preserves the quality of the plate. With offset lithography, the image is reversed twice and appears on the final sheet the same way round as on the stone or plate.ETCHING is a printmaking technique that uses chemical action to produce incised lines in a metal printing plate which then hold the applied ink and form the imageThe plate, traditionally copper but now usually zinc, is prepared with an acid-resistant ground. Lines are drawn through the ground, exposing the metal. The plate is then immersed in acid, and the exposed metal is ‘bitten’, producing incised lines. Stronger acid and longer exposure produce more deeply bitten lines. The resist is removed, and ink applied to the sunken lines but wiped from the surface. The plate is then placed against the paper and passed through a printing press with great pressure to transfer the ink from the recessed lines. Sometimes ink may be left on the plate surface to provide a background tone.Etching was used for decorating metal from the fourteenth century but was probably not used for printmaking much before the early sixteenth century. Since then many etching techniques have been developed, which are often used in conjunction with each other: soft-ground etching uses a non-drying resist or ground, to produce softer lines; spit bite involves painting or splashing acid onto the plate; open bite in which areas of the plate are exposed to acid with no resistance; photo-etching (also called photogravure or heliogravure) is produced by coating the printing plate with a light-sensitive acid-resist ground and then exposing this to light to reproduce a photographic image. Foul biting results from accidental or unintentional erosion of the acid resist.Like engraving, etching is an intaglio technique. Intaglio refers to all printing and printmaking techniques that involve making indents or incisions into a plate or print surface which hold the ink when ink is applied to the surface and then wiped clean.Disclaimer - Our prints/original art are purchased from various dealers, auctions, sales, antique shops, markets, and art collectors and are sold by us as such. However, in the unlikely event that you do not like the article, we will make an immediate and full refund, without hesitation, if the item is returned to us in the same condition it was received, with no damage, marks or folds, within 14 days of receipt.Victor Vasarely was a French-Hungarian artist credited as the father of the Op Art movement. Utilizing geometric shapes and colourful graphics, the artist created a compelling illusion of spatial depth, as seen in his work Vega-Nor (1969). Vasarely’s method of painting borrowed from a range of influences, including Bauhaus design principles, Wassily Kadinski, and Constructivism. Born Vásárhelyi Gyozo on April 9, 1906, in Pécs, Hungary, he briefly studied medicine at the university, but after two years dedicated himself instead to painting. In the late 1920s, Vasarely enrolled at the Muhely Academy in Budapest, where the syllabus was largely based on Walter Gropius's Bauhaus school in Germany. After settling in Paris in 1930, Vasarely worked as a graphic artist while creating many proto-Op Artworks including Zebra (1937). The artist experimented in a style based in Surrealism and Abstract Expressionism during the 1940s, before arriving at his hallmark checkerboard works. Op Art went on to have a number of practitioners, including Bridget Riley and Yaacov Agam. The artist died at age 90 on March 15, 1997, in Paris, France. His works are presently held in the collections of the Albright-Knox Art Gallery in Buffalo, the Art Institute of Chicago, the Tate Gallery in London, and the Peggy Guggenheim Collection in Venice.

Price: 459.27 USD

Location: Bucharest

End Time: 2024-09-30T07:18:06.000Z

Shipping Cost: 0 USD

Product Images

Victor Vasarely, Victor Vasarely, Victor Vasarely, Victor Vasarely, Victor Vasarely, Victor Vasarely, Victor Vasarely,

Item Specifics

Restocking Fee: No

Return shipping will be paid by: Buyer

All returns accepted: Returns Accepted

Item must be returned within: 14 Days

Refund will be given as: Money Back

Artist: Victor Vasarely

Unit of Sale: Single Piece

Image Orientation: Portrait

Size: Medium

Signed: Yes

Date of Creation: Contemporary (1980-Now)

Material: Paper

Certificate of Authenticity (COA): No

Item Length: 13.77 in

Framing: Unframed

Original/Licensed Reprint: Reproduction

Subject: Famous Paintings/Painters

Colour: Multi-Colour

Type: Print

Listed by: Dealer or Reseller

Item Height: 19.69 in

Style: Op Art

Theme: Art

Features: Signed, Numbered

Production Technique: Offset Lithography

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